Sunset Moments

This is an accompaniment of my sunrise moment blog. Sunsets remain the ultimate romantic moments, immortalized in many a movie scene, a storyline and a photograph. They remind us not only of day that just came to pass but also of another new one coming just around the bend.

Zamboanga del Norte, October 17, 2007, 5:28PM

The tidal flats of Jose Dalman in Zamboanga del Norte appear nondescript. But slather the rocky coast and the lonely waters with the colors of the sinking sun and you get affirmation that just about anyplace can be deemed romantic.


Canon EOS 350D Digital, 1/30s, f/3.5, 18mm, ISO 200, +1/3EV
Jose Dalman, Zamboanga del Norte, the Philippines


Canggu, Bali, Indonesia, November 11, 2007, 6:26PM

The place is Canggu and the occasion is Banyu Pinaruh. Although this ceremony of ritual bathing is prescribed during sunrise, the beach was still full of people until late in the afternoon as it was Sunday. After six, the sky started to dim and the crowd began to leave for home. The tide was just rushing back to shore and the sealine began to change. The ocean was seeking its own level and the earth can only oblige.

Canon EOS 350D Digital, 5.00s, f/22.0, 24mm, ISO 100, +1.00EV
Tibubeneng Beach, Canggu, Bali, Indonesia


Surabaya, East Java, Indonesia, February 3, 2007, 5:38PM

Surabaya is a historic city in East Java, known as a city of heroes. One of the most celebrated battles in Indonesia’s struggle for independence from the Dutch transpired in this city, specifically in Jembatan merah or the “red bridge”. Smack in the center of the old Chinatown district, the bridge remains busy and became a perfect spot for my panning experiments. I remember standing in the island in the middle of the road, cutting a figure in the busy late afternoon, hoping to catch fleeting scenes like the one below.



Canon EOS 350D Digital, 1/10s, f/5.6, 31mm, ISO 800
Jembatan Merah, Surabaya, Indonesia


Singapore, August 17, 2006, 7:06PM

I normally request for a window seat when I travel. I also check the direction of the plane so that if the flight is late in the afternoon, I’d ask for a seat facing west. It even pays to get a seat at the back of the plane to get a clear window view without the obstruction of the plane’s wing. Getting a clear and clean window pane is another matter. Luck always plays a part.



Canon EOS 350D Digital, 1/200s, f/5.6, 55mm, ISO 400, -2/3EV
over the South China Sea, near Singapore


New York City, December 23, 2005, 4:42PM

New York City does not just qualify as a metropolis, it defines the word. Skyscrapers soar right vertically into the sky, traffic chokes mercilessly the concrete streets and lights flicker sizzlingly all night, all day. Laid on a grid, Manhattan is segmentized to upperside (northside), lowerside (south), westside and eastside. This makes it much easier to traverse on foot and simpler to orient when trying to capture the sun as it is about to set, need I say at the westside.



Canon EOS 350D Digital, 1/20s, f/20, 55mm, ISO 1600
NY, NY, the US


Kutuh, Bali, Indonesia, August 25, 2007, 6:27PM

Business can be mixed with photographic pleasure. It was late in the afternoon when we arrived in the seaweed farms in Kutuh, Bali. Light was fading fast. The farmers have already left home and the boats were already tethered to shore. Empty cultivations lines confirmed the recent seaweed die-off . Replanting was ongoing. Tomorrow would be another day.



Canon EOS 350D Digital, 3.20s, f/25, 55mm, ISO 100, +2/3 EV
Kutuh, Nusa Dua, Bali, Indonesia

Creating My Own Wayang

Wayang kulit is the ancient puppet theatre in Bali and Java, where shadows of flat leather cutout figures are made to dance against a white curtain using a blazing fire as backlight. In photography, similar shadow plays can be created and I will share here inside tips on how to take dynamic silhouetted photos. I will limit the discussion to fast speed shots that can be done handheld, as opposed to long exposure silhouette. In homage to wayang, the pictures I am featuring here taken in Bali.


phototip: Choose and interesting subject. Although this was taken by a point and shoot using digital zoom instead of a real telephoto lens, the drama of surfing is captured.
f/8, 0.01s, 21.3mm
Kuta Beach, Kuta, Bali, Indonesia


As illustrated above, shadow shots need strong backlighting and nothing but the rising or sinking sun provides a cleaner and brighter almost-horizontal natural light. I suggest a location with a reflective body of water, most convenient of which is the sea. Get a map and check out which beach faces the east (sunrise) or the west (sunset). Check out the internet for the sunrise/sunset time as the golden hours for hand-held silhouettes, depending on the conditions, often are the 30 or 40 minute periods after sunrise or before sunset.

Last November 11, I was not really too keen on doing any sunset shots. Work took a frontseat that Sunday but when I became free late in the afternoon, I suggested to my friends that we go to Canggu. Now Canggu is not in your typical Bali tourist map – it is that blank spot between Seminyak/Kuta and Tanah Lot temple – but I have never been there. My Balinese friends, Komang and Ketut, perhaps being just too much familiar with me, no longer raise an eyebrow that I chose a place off the tourist track although lately, the place is being peppered with villa-type cottages.

The beach of Tibubeneng was, as expected, crowded. That Sunday after all was Banyu Pinaruh, the auspicious date to cast away offerings and ritually bathe in the sea. I already had my fill of the spectacle of the celebrations during sunrise at Geger beach in Nusa Dua (but this would be in another coming blog).

Just a few paces from the road, I could not see the people swimming in the water for the sand swell was blocking my view. However, people going into and coming from the beach would be fully silhouetted against the yellow sky as they go up the dune mounds. Getting graceful silhouettes would be another matter. Stalking takes patience and for the shot below, I first chose and then practically chased a family of three with my lens and waited for the right moment to click.


phototip: Be aware of the foreground and background which can add value to your composition
f/5.6, 0.001s, 300mm, ISO 100, +1.0eV
Tibubeneng Beach, Canggu, Bali, Indonesia


As I walked closer to the beach, people would no longer be backlit fully, at least not in my camera. In front of bright light, a camera sees differently from the human eye. While I could see the head, body and feet of the people in front of me, the camera can only distinguish the contrast of the dark forms against the light and as I moved on higher ground, the people’s legs will be set against the sand which cannot reflect any light. From the mound then, the camera can only capture people often from the knee or even from the waist up.

When I saw some lads starting to play volleyball, I knew that I have to retrace my steps back to the road to get a lower perspective. Unfortunately, I could not find a spot low enough to capture the full figures of the players, what with the crowd surrounding the court. I finally settled by a tree stump which rather stank from some refuse. And did I mention too that in these shots, you will always be against the harsh sunlight? Silhouette shots are not for those who don’t want to get dark. Or for those who cannot stand to sweat in the sweltering heat.


phototip: Shoot, chimp and shoot. You can improve on your shots by learning from previous photos
f/5.6, 0.0002s, 160mm, ISO 200, +1.0eV
Tibubeneng Beach, Canggu, Bali, Indonesia


Although the jumble of the spectators is not be too distracting, it diminishes the punch of the action. I even have to tilt and crop the shot above. That is when it hit me. I can actually frame some shots from the net up knowing that the players will eventually jump and smash the ball. So I angled the camera slightly and focused on the action above the net. The wait was just short. In less than 2 minutes, there came another kill and as I was ready, I got the frame I wanted. The photo below was not cropped at all.


phototip: In volleyball, as in any team sport, the players’ eyes and actions will be always be oriented towards the ball, the natural dynamic focal point. If possible, always include the object of play in the frame.
f/5.6, 0.0002s, 220mm, ISO 200, +1/3eV
Tibubeneng Beach, Canggu, Bali, Indonesia


After some more shots, I was ready to give up on the game. I joined my friends near the beach and capped the afternoon with some peanuts. It was still some 30 minutes before sunset. There are still some more photos to take.