Showing posts with label Buddhism. Show all posts
Showing posts with label Buddhism. Show all posts

Saturday, May 30, 2009

Chua Phuoc Hai Tu- pagoda-hopping in Vietnam part 4

It is a temple of numerous names. The most popular is the Jade Emperor Pagoda but it is also referred to as Chua Phuoc Hai Tu (Chua is the Vietnamese term for temple), the Fuhai Monastery or even as the Tortoise Pagoda.

Phuoc Hai Tu fountain
a fountain sits in the front yard of Chua Phuoc Hai Tu, Ho Chi Minh, Vietnam


Not surprisingly, the central court features the prominent figure of the Jade Emperor. Flanking him are other Taoist deities made of papier-mâché. Traditional decorations fill the hall, including beautiful inscriptions in Chinese that are as old as the temple which was constructed in the early 1900s. Elaborate carvings filled the other side hall which curiously, depicted visions of hell.

Chua Phuoc Hai Temple door
the carved wooden door of Chua Phuoc Hai Tu


I did remember my friend telling me that the temple is Vietnamese and not Chinese. This somehow confused me as all the pagodas I went to, from Thien Hau, Tam Son Hoi Quan and Chua Ong, were Buddhist or Taoist and are definitely Chinese in design and origin. Perhaps he meant that the temple is maintained or managed by ethnic Vietnamese and not by Chinese immigrants.

Phuoc Hai Tu conical coil bokeh
a conical incense coil inside the temple


Phuoc Hai Tu medallion bokeh
a medallion as offering


It was my second time to visit this temple. As in my past, the pagoda was teeming with not just tourists like myself but also with the faithful who brought with them incense, food and other offerings. I tried not to get in the way and observed silently with my camera.

worship at Phuoc Hai Tu
Chua Phuoc Hai Tu worship


To go:
Jade Emperor Pagoda aka Chua Phuoc Hai Tu and Fuhai Monastery
73D Mai Thi Luu, Ho Chi Minh, Vietnam

For more of my pagoda-hop series in Vietnam, visit:
part 1: Thien Hau
part 2:Tam Son Hoi Quan
part 3:Chua Ong

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Friday, April 24, 2009

Chua Ong- an incense coil special

pagoda-hopping in Vietnam part 3

This is the incense special.

dancing coils
Incense are mainly used in Buddhist temples for spiritual purification and blessing, not to mention for aromatic and aesthetic reasons.


Ever since I’ve been coming to Vietnam, I’ve always fancied going to a Buddhist temple and shooting the incense coils which so fascinated me. They are not available in the Philippines and I’m not sure if they are in Indonesia, at least not in the size and form that are common in Vietnam.

Chua Ong coils 3
Incense coils or spirals are made by extruding the incense mixture into a coil without a core.


Chua Ong offering
Spiral incense, depending on the size, can burn for several hours and even for days


So lo and behold, in my third (or is it my fourth?) business trip to Vietnam, I took the time to pagoda-hop in old Chinatown. I probably visited about four and it’s in the third temple, the Chua Ong, that I saw them in a beautifully lit array.

Chua Ong central temple
These incense coils are a type of direct burning incense, where the scents are released by lighting the actual incense.


Chua Ong hearth
Probably the most common scent of incense is sandalwood.


So here’s my tribute to those coils. Finally, I got them good.

Chua Ong coils 1
In a study in Hong Kong, incense burning, contrary to popular belief, did not increase the risk of lung cancer among non-smokers and surprisingly reduced the risk among smokers.


Chua Ong coils 2
It is possible people who regularly burn incense also engage in healthier dietary lifestyle, like eating more fresh fish and less alcohol.


For more of my pagoda-hop series in Vietnam, visit:
part 1: Thien Hau
part 2:Tam Son Hoi Quan
part 3:Chua Ong

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Saturday, February 28, 2009

Seeing red in Tam Son Hoi Quan

pagoda-hopping in Vietnam part 2
part 1: Thien Hau

I wasn’t aware of it until I saw my pictures. The temple of Tam Son Hoi Quan in the Chinatown district of Cholon, Saigon was dripping red.

The gate and fence, white-washed in portions, were pink. The facade had stucco walls in softer carmine but the pillars stood out in a fierier shade of red.

Tam Son Hoi Quan shrine
the main entrance of the pagoda
Canon EOS 350D Digital, 1/1250s, f/4.0, 18mm, ISO 200, -2/3EV


The pair of wooden doors was also in red and no less brighter.

dragon
the main door has cheerful handles/knockers
Canon EOS 350D Digital, 1/25s, f/5.0, 28mm, ISO 400, -1/3EV


Inside, the soft red-orange motif continued to spill over the walls, the carved wooden altars and the brick tiles. On places where red was interrupted, gold and black, colors that are no less eye-catching, were splashed.


Tam Son Hoi Quan main shrine
the central altar
Canon EOS 350D Digital, 1/25s, f/5.0, 18mm, ISO 1600, -1/3EV


This more-than-a-hundred-year-old pagoda is one of the feminine temples in Saigon. Local women often visit the place to seek blessings for their children from Me Sanh, the Goddess of Fertility. And in China, fertility is symbolized by nothing less than the color red.

Tam Son Hoi Quan shrine goddess
a goddess prominently placed in niche by the side wall
Canon EOS 350D Digital, 1/60s, f/5.0, 80mm, ISO 200


Tam Son Hoi Quan shrine
Buddhist deities in a side altar
Canon EOS 350D Digital, 1/20s, f/5.0, 18mm, ISO 1600, -1/3EV


Instinctively, red demands power and harks for fortune and success. The visual stimulation of fire is innate and for photographers, nothing really can scream more than red.

coils and shadows
the incense coils are a shadow before the red walls
Canon EOS 350D Digital, 1/1000s, f/5.0, 210mm, ISO 200, -4/3EV


coils
this is the same shot as above, with focus on the coils
Canon EOS 350D Digital, 1/640s, f/5.0, 210mm, ISO 200, -2/3EV

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Wednesday, February 4, 2009

photographs from Kiyomizudera, Kyoto

Kiyomizudera, otherwise known as Otowasan Kiyomizudera, is for me the most impressive temple in Kyoto. It is one of the centerpieces of the Historic Monuments of Ancient Kyoto, a UNESCO World Heritage site. Among the temple’s most unique feature is that despite its impressive size and ornate architecture, not one nail is used in the whole structure.

kasa
by the roadside of Kiyomizudera, Kyoto, Japan
Canon EOS 350D Digital, 1/50s, f/5.6, 28mm, ISO 200, -1/3EV


Kiyomizudera is popular to both Japanese domestic visitors and foreign tourists which makes the crowd too thick for clean uncluttered photography. Exclude the throngs of tourists hovering in every corner was difficult. One had to be creative. In the case of the photo below, I used a hill to block the grounds and made the beautiful two-storey Romon gate stand out in the frame.

Romon
the Romon in Kiyomizudera, Kyoto, Japan
Canon EOS 350D Digital, 1/1250s, f/5.6, 27mm, ISO 400


The temple is also is a treasure throve of cultural traditions. During my visit, I saw several geishas performing regular pilgrimages and shuudoushi monks roaming the streets for alms. I could not get a tight shot as intruding into personal space of strangers is never easy. For the picture below, I had to move fast. It was hit and run. I prepared the settings of my camera first, walked past the monk, and just clicked. It helped that his hat was worn low. Had his eyes been visible, I would have been unnerved as I too would not want someone to point a camera directly into my face. Ah, the things I do for photography!

shuudoushi
a shuudoushi monk at the Kiyomizudera temple, Kyoto, Japan
Canon EOS 350D Digital, 1/200s, f/5.6, 45mm, ISO 400

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Sunday, November 30, 2008

Thien Hau- pagoda-hopping in Vietnam part 1

A smartly dressed lady weaved through the small crowd of worshippers, clutching a handful of sandalwood incense sticks. She lit and planted half of them purposely in the copper urn of ash at the central courtyard. Unhurried and unmindful of the people milling around the temple, she proceeded to the far end of the inner chamber, to the shrine of Thien Hau Thanh Mau.

Thien Hau
Canon EOS 350D Digital, 1/125s, f/1.8, 50mm, ISO 100


Thien Hau incense sticks
Canon EOS 350D Digital, 1/250s, f/1.8, 50mm, ISO 100


The goddess of the sea and patron of the sailors stood regal above two women deities in the elaborately carved wooden altar and flanked by two more goddesses in the side altars. All were ornately dressed in bright colorful garments reminiscent of pre-colonial Chinese times, still but seemingly observant.

Thien Hau altars
Canon EOS 350D Digital, 1/60s, f/3.5, 21mm, ISO 1600, +1/3EV


Everyday, hundreds of visitors perform acts of similar piety in the pagoda of Thien Hau. Popular among locals and tourists from mainland Chinese and Taiwan, the temple lies in Nguyen Trai Street, at the heart of Cholon, the Chinatown district of Ho Chi Minh (formerly Saigon).

Thien Hau offering
Canon EOS 350D Digital, 1/250s, f/2.8, 100mm, ISO 400, -1/3EV


Thien Hau incense
Canon EOS 350D Digital, 1/125s, f/5.6, 120mm, ISO 400, -2/3EV


Thien Hau became the first stop in our photographic hop of pagodas in the historical district. Richly, if not intensely decorated, this temple is arguably the most important of the Chinese temples in Cholon. Walking tours are immensely popular among visitors of Saigon, and not far from this pagoda are several other temples, all within 300 meters walking distance, and with exotic if not unpronounceable sing-song names like Tam Son Hoi Quan, Ba Thien Hau, Quan Am Pagoda and Phuoc An Hoi Quan.

deity
Canon EOS 350D Digital, 1/40s, f/3.5, 18mm, ISO 1600, +2/3EV


Photographic opportunities are not wanting inside the pagoda. The building is a series of concentric rectangles with an open courtyard at the dead center. Sunlight streams around this square where a pavillion rises on four thick wooden pillars, with ceramic tiles piled over its distinctive pagoda roofline. Lighting is dim save for the numerous shrines that are illuminated with incandescent lamps and candles of various sizes.

ribbons
Canon EOS 350D Digital, 1/500s, f/1.8, 50mm, ISO 400, -1/3EV


incense coils above
Canon EOS 350D Digital, 1/50s, f/4.5, 31mm, ISO 200, -2/3EV


Prayers came in different forms. Ribbons in pink with Chinese calligraphic writing fluttered on the opposite walls by the central square. Fruits spilled over plastic trays and sweets filled folded colored paper vases. Smoke wafted heavily in the air as sticks burnt onto the ash-filled jars. Incense coils hang on the ceiling rafters, billowing heavy fragrant smoke around the temple. Worshippers supplicated on padded circular kneelers.

incense coils
Canon EOS 350D Digital, 1/500s, f/2.8, 100mm, ISO 100, +1/3EV


lighting a coil
Canon EOS 350D Digital, 1/4000s, f/1.8, 50mm, ISO 400, +1/3EV


For 20,000 VND (1.2 USD) each, my Vietnamese friend bought a couple of incense coils. He gave me one and told me to write two names on the pink slip of paper. For good health, he said. I wrote three. He helped me tie the ribbon on the top of the cone and light the outer end of the coil. An attendant took the incense and raised it up using a long pole and hooked and hang it by the ceiling. Ashes intermittently showered on us down below. I said a prayer too and wished for my own intentions.

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Thursday, December 6, 2007

The Monastics of Angkor Wat

Cambodia is the Kingdom of the Khmers, they who built Angkor, a city of stone temples and edifices so vast. Reputedly covering more than 1,000 square miles, Angkor is 20 times larger than the next biggest preindustrial city of Tikal in Mayan Guatemala. The most famous Angkor monument is the palatial complex known as the Angkor Wat. It is BIG. The outer walls encloses more than 82 hectares of land.

drenched
phototip: Rain can be your friend. It can provide a mysterious ambience, especially if the streaks are captured by fast shutter speed.
f/5.6, 0.004s, 155mm, ISO 100, -1/3EV, cropped
The west gate of Angkor Wat, as taken from the topmost level of the central temple,Siem Reap, Cambodia


What struck me most was the humanistic strand that helped keep Angkor Wat alive today: the religious. In all its 850 years of existence, the temple has never been abandoned, really. Ascribing its discovery to a Portuguese monk or a French explorer is a Westernized view, romanticized but distorted. While the temple fell into neglect after the 16th century, the temple has never really been empty. It has always enjoyed a throng, if not an encampment of Buddhist monks and nuns.

monks
phototip: ….
f/5.6, 0.008s, 55mm, ISO 200, -1/3EV, cropped
Monks at Angkor Wat, Siem Reap, Cambodia


Without argument, monks and nuns are mendicants. They live from the benevolence of patrons. Begging for their daily needs, they do not work for their very sustenance in our accepted conventional sense. Idealized their roles may be, there is some dissent against their dependence on alms in Cambodia and probably in other Buddhist societies as well. The question begs: how could they remain “idle” amidst the growing poverty of the very society they mean to serve?

guardian
phototip: Most portraits become more effective if you get the subject look at you. In my case, the nun was tidying up the altar. I composed the shot while her back was away from me. I knew that soon she would turn. She did.
f/4.5 , 0.067s, 33mm, ISO 800, -1/3EV
A shrine at the uppermost central shrine of the Angkor Wat, Siem Reap, Cambodia


History provides the answer. Monks and nun are merely following norms developed along the centuries. Societies in civilizations as old as the Khmers were divided into classes. Each class had a role to fulfill. Without divisions that were almost so rigid to prevent someone from moving between classes, there would have been chaos. In a practical sense, artistic achievements, like that of the majesty of Angkor, would not have been reached as well.

supplication
phototip: Tight shots makes the message clearer.
f/5.6. 0.02s, 55mm, ISO 800, -1/3EV, cropped
A monk offering supplications at the central sanctuary tower of Angkor Wat, Siem Reap, Cambodia

Art cannot prosper in a vacuum. Only societies that have a great level of surfeit of food and riches would have the extravagance to commit sections of their populations to doggedly sole-minded pursuits like music, dance, painting and architecture. The Khmers did. How else could the grand designs materialize if the artists were not sheltered and allowed to do what they did without fear of hunger and want? By the same rationale, there rose a section of the society given the time and space to enlighten and spiritually “sustain” life- the monastics.

benediction
phototip: Watch out for stillness against speed. I set up a tripod at a doorway, waited for the nun to freeze in a prayer, while tourists passed by. The exposure of 1.6 seconds created the colored blur.
f/5.6 , 1.6s, 55mm, ISO 100, +1/3EV, cropped
at the central uppermost temple of the Angkor Wat, Siem Reap, Cambodia


Today, Buddhist monks and nuns in Cambodia continue the tradition of alm-seeking and live only if the public sticks to the convention of support. I found out that there are rules governing this sustenance. For starters, the monks can only seek what are existential: food, clothing, shelter and medicine. All else are considered trivial.

appeasement
phototip: White stands bold even if the subject is in a dark corner, especially when contrasted against the colored ornaments.
f/5.6, 0.01s, 49mm, ISO 400, uncropped
A nun at the Angkor Wat, Siem Reap, Cambodia

By leading a life of an ascetic, monks and nuns are examples to the masses of what can be renounced in life. By freely choosing to lead simply, they remind the people that enlightenment can only be achieved by giving up material things. That is how Buddhism’s concept of nirvana can be attained. I too am reminded of the biblical line of “Blessed are the poor in spirit, for theirs is the kingdom of heaven” (Matthew 5:3).

steep
phototip: The Angkor Wat’s central temple is notorious for the steep staircase. Don’t take unnecessary risk in getting the shot you like. I took the photo at the landing before I descended the steep stairs, with the camera safely tucked inside a padded and secured bag.
f/5.6, 0.008s, 37mm, ISO 100, -1/3EV, uncropped
The difficult descent from the uppermost central shrine of the Angkor Wat, Siem Reap, Cambodia

The normal title of "nun" is conferred to female monastics who may be considered equal to male ascetics. These ladies often wear robes of white or gray, as opposed to the saffron sported by the monks. Monks and nuns are expected to be totally celibate and generally avoid physical contact with the opposite sex.

pleas
phototip: Watch out for expressions that convey strong emotions and tell a story.
f/16, 0.2s, 55mm, ISO 400, -1/3EV, uncropped
A Buddhist nun and at a shrine in the uppermost central temple of the Angkor Wat, Siem Reap, Cambodia


Meditation is associated with the monastics. Silence accompanies simplicity. Monks and nuns are considered to be in a different plane, having lived the “inner world”. People may chose to ignore them sometimes but ultimately, their presence fills in a need that no one else can.

meditation
phototip: Strong backlight creates bold shadows that can be an effective background for incense smoke.
f/5.6, 0.008s,55mm, ISO 800,-1/3EV, uncropped
Meditation scene in the uppermost central temple of the Angkor Wat, Siem Reap, Cambodia

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Thursday, November 8, 2007

Hong Kong in Half a Day

So I was in Hong Kong again. I subscribe to Cathay Pacific for business trips, so I always transit by the Hong Kong Chep Lap Kok airport. Somehow, flight schedules between Cebu and Surabaya or Bali are misaligned so I have no choice but to sleep overnight at Hong Kong. Not bad. It has been more than 2 years since I entered Hong Kong! Counting those 2 years as my entire flickr lifetime, I realize there begs the opportunity to take pictures of life in Hong Kong.

Having arrived almost midnight in my hotel at Kowloon last November 5, I decided to hit the sack promptly. I only have a good half day for a mini photographic tour the next morning. Getting up early is never my problem and to my utter surprise, at almost 6:40, while I was having a (cellphone) text exchange with my wife, the sun suddenly shot up behind the Kowloon cityscape. My room window is directly facing east after all! The unplanned sunrise shots then became my first official photos in Hong Kong for the day.

BP Intl_0003-3
phototip: For the unordained sunchaser: be quick. The sun rises so fast from the horizon that you would have little time with camera adjustments and composition. But ha! Note my too high an ISO below.
f/5.6, 0.002s, 300mm, ISO 400, +1/3eV
Kowloon, Hong Kong


But where should I go? The street markets? Hong Kong Central perhaps? There’s always that cable car thing somewhere- I’ve never tried that. The decision was made a day before the trip actually. When I googled Hong Kong, I was led to this nifty website discoverhongkong.com. I followed the Attractions link and clicked Hong Kong walks and voila, there it is, a cultural walk tour around 2 temples and an old walled city.

Excited that I was, breakfast melted into an afterthought of 2 hot buns from a corner deli. I even dug into it subterfuge, in the subway rides from the Jordan station to Wong Tai Sin. (I am not sure if Hong Kong, is anally hung as Singapore where eating in subway trains means a sizeable fine so I was discreet).

Wong Tai Sin, a fairly new temple built in 1973, is nestled on hilly ground. Definitely a popular destination, it already was crawling with tourists who come in by busloads. Brightly painted, heavily tiled and ornately decorated, it is visually attractive. There is also no paucity of chances if you are into incense shots. I must have smelled rank with sandalwood and camphor, having lingered there for almost 30 minutes. The only minus was the constant badgering of the volunteers (?) cum maintenance crew who continuously chase people who overstayed in the central court. Necessary for easy traffic I guess. But they cut down on my photo ops.


Wong Tai Sin
phototips: If you have a telephoto lens, shoot at the side of the main temple offering table to be less intrusive. Wait for the smoke to get thick and for a color-worthy subject, say this lady in red.
f/8.0, 0.005s, 180mm, ISO 100, -1/3eV
Wong Tai Sin, Kowloon, Hong Kong

Next, the website suggested a subway ride to the adjacent station in Lok Fu. Niggardly, and always wanting for exercise, I decided to take a hike. Problem was the map was not drawn to scale and street names are missing. After almost getting lost in a semicircle – Hong Kong highways are blocked from pedestrian crossings and skywalks are sparse in this part of the City– I found the main street Tung Tau Tsuen Road. The walk took me almost 30 minutes. I was a bit disappointed that there is not much to photograph along the way, the street scenes were too sterile and concrete for me, but at least finding the Hau Wong temple was easy, exactly at a corner junction, as illustrated in the map.

Surprise, surprise, this is no crowded temple. No one was there save for some caretakers. Strangely, I was too unnerved to go inside. Being NOT a Buddhist, I felt that I would be intruding into a holy space. I contented myself to photographing artifacts outside like the weapons and staff flanking the entranceway of the temple and the red cauldron with burning incense. Honestly, while this temple is reputed to date back to the 18th century, this can be skipped unless you are interested in photographing calligraphy and plaques. Unlike me, you would have to venture inside. Probably the caretakers would not mind some photography if you asked politely enough.


Hau Wong
phototip: For vibrant shots, choose a subject in red. Always a headturner!
f/5.6, 0.017s, 55mm, ISO 400, -1/3eV
Hau Wong, Kowloon, Hong Kong


To cap the cultural journey, the Kowloon Walled City Park is just across the temple. To trivia buffs, the old Kowloon Walled City is an enclave in the heart of Kowloon that remained under Chinese rule during British occupation. Therefore, it was infamous for lawlessness, grime and eventually, decay. In 1994, it was razed down by the government and turned into a park showcasing the original walls, gates and the Yamen courtyard. For photography, watch out for the traditional gardens and the circular moon gates. The Park is also a popular hangout place for retirees and senior citizens who chose to relax in the gardens, swap talks, play music (one old man was playing the flute fabulously!) and perform the tai chi (calisthenics). I was all agog though in capturing the Lung Nam pavilion set amidst a lagoon and a manmade falls.


Lung Nam
phototipTo create a dreamlike scene, try long exposure mid-day. Stack on your filters (the polarizer, UV, ND most particularly) and use the narrowest aperture. Wait for a breeze to capture the blur of the thrashing greens.
f/29, 4.0s, 25mm, ISO 100, +2/3eV
the Lung Nam Pavilion, the Kowloon Walled City Park, Kowloon, Hong Kong, China

Time was already catching up with me. Since I only need to check in for my flight to Surabaya before 1PM, I have to check out of the hotel before 12 noon. Actually made it back by 11AM. I didn’t mind spending some more time in the airport. Work, after all cannot wait, and Hong Kong is just corollary to my final destination: Indonesia.

And oh, I will be back in Kowloon on Nov 11, this time, only for the night. Nightime Kowloon in 2 hours? Now that is another challenge.

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