Chinese delights in Kuta’s Furama

Over the years of travel, I’ve etched into memory the restaurants which never fail me when it comes to taste and experience. When it comes to Cantonese food in Bali, one of my favorites happens to be the most convenient too in terms of location. Just a few minutes from the airport, Furama is typical Chinese: little frills, fast service, and moderately price.


nighttime scene in Furama



my favorite craving: freshly steamed shrimps



bird’s nest soup


Furama’s specialty is seafood, which is obvious with the giant prawn sign on its façade. Amidst the stiff competition in the tourist haven that is Bali, Furama manages to stand out not just to me but to the many patrons that continuously fill the place without fail. It still is true, when choosing a restaurant, go to where people flock. The majority often can’t be all wrong.


highly recommended: steamed fish in soy



mixed vegetables with tofu



Chinese vegetables with garlic


To go: FURAMA is in Jalan Raya Tuban 52B, Kuta, Bali, Indonesia.

hand embroidery, Balinese style

If wood carving were the artistic domain of men, women are traditionally associated with the fine art form in embroidery. In pre-colonial times however, Balinese women were known to go topless. Fine cut and pierced or lace embroidery may not exactly be a Balinese art after all in a historical perspective. The fact remains that when Dutch mores of modesty were implemented early in the 20th century, the requirement to be fully clothed in public was met with resentment by women and going bare was used as a form of protest.




In modern times, Bali has already fully adopted full clothing, especially in the context of Indonesia being a predominantly Muslim country. Like the rest of the nation, Balinese costume wear is derivative of the kebaya blouses native to the Javanese.




But despite being late in the game, Balinese women, judging from the quality of lace work displayed in several artisan shops spread all over the island, already have become master embroiders in their own right.

Kuta is sunset and surfing

The beach of Kuta in Bali stretches almost endlessly. Its coralline floor cuts deep down into the ocean making the wave break a world-class surfing paradise. Stir in the welcoming hospitable nature of the Balinese, and you have a tourism magnet.


Canon PowerShot S40, 1/100s, f/8.0, 21.3mm

Facing westward into the Indian Ocean, Kuta beach offers a breathtaking sunset. The old elements that are the sun, the earth and the water always succeed to mesmerize every sundown. Caught in its magic, I often catch myself joining the congregation of sunlovers as these pictures attest.


Canon PowerShot S40, 1/400s, f/8.0, 21.3mm



Canon PowerShot S40, 1/100s, f/8.0, 21.3mm

Creating My Own Wayang

Wayang kulit is the ancient puppet theatre in Bali and Java, where shadows of flat leather cutout figures are made to dance against a white curtain using a blazing fire as backlight. In photography, similar shadow plays can be created and I will share here inside tips on how to take dynamic silhouetted photos. I will limit the discussion to fast speed shots that can be done handheld, as opposed to long exposure silhouette. In homage to wayang, the pictures I am featuring here taken in Bali.


phototip: Choose and interesting subject. Although this was taken by a point and shoot using digital zoom instead of a real telephoto lens, the drama of surfing is captured.
f/8, 0.01s, 21.3mm
Kuta Beach, Kuta, Bali, Indonesia


As illustrated above, shadow shots need strong backlighting and nothing but the rising or sinking sun provides a cleaner and brighter almost-horizontal natural light. I suggest a location with a reflective body of water, most convenient of which is the sea. Get a map and check out which beach faces the east (sunrise) or the west (sunset). Check out the internet for the sunrise/sunset time as the golden hours for hand-held silhouettes, depending on the conditions, often are the 30 or 40 minute periods after sunrise or before sunset.

Last November 11, I was not really too keen on doing any sunset shots. Work took a frontseat that Sunday but when I became free late in the afternoon, I suggested to my friends that we go to Canggu. Now Canggu is not in your typical Bali tourist map – it is that blank spot between Seminyak/Kuta and Tanah Lot temple – but I have never been there. My Balinese friends, Komang and Ketut, perhaps being just too much familiar with me, no longer raise an eyebrow that I chose a place off the tourist track although lately, the place is being peppered with villa-type cottages.

The beach of Tibubeneng was, as expected, crowded. That Sunday after all was Banyu Pinaruh, the auspicious date to cast away offerings and ritually bathe in the sea. I already had my fill of the spectacle of the celebrations during sunrise at Geger beach in Nusa Dua (but this would be in another coming blog).

Just a few paces from the road, I could not see the people swimming in the water for the sand swell was blocking my view. However, people going into and coming from the beach would be fully silhouetted against the yellow sky as they go up the dune mounds. Getting graceful silhouettes would be another matter. Stalking takes patience and for the shot below, I first chose and then practically chased a family of three with my lens and waited for the right moment to click.


phototip: Be aware of the foreground and background which can add value to your composition
f/5.6, 0.001s, 300mm, ISO 100, +1.0eV
Tibubeneng Beach, Canggu, Bali, Indonesia


As I walked closer to the beach, people would no longer be backlit fully, at least not in my camera. In front of bright light, a camera sees differently from the human eye. While I could see the head, body and feet of the people in front of me, the camera can only distinguish the contrast of the dark forms against the light and as I moved on higher ground, the people’s legs will be set against the sand which cannot reflect any light. From the mound then, the camera can only capture people often from the knee or even from the waist up.

When I saw some lads starting to play volleyball, I knew that I have to retrace my steps back to the road to get a lower perspective. Unfortunately, I could not find a spot low enough to capture the full figures of the players, what with the crowd surrounding the court. I finally settled by a tree stump which rather stank from some refuse. And did I mention too that in these shots, you will always be against the harsh sunlight? Silhouette shots are not for those who don’t want to get dark. Or for those who cannot stand to sweat in the sweltering heat.


phototip: Shoot, chimp and shoot. You can improve on your shots by learning from previous photos
f/5.6, 0.0002s, 160mm, ISO 200, +1.0eV
Tibubeneng Beach, Canggu, Bali, Indonesia


Although the jumble of the spectators is not be too distracting, it diminishes the punch of the action. I even have to tilt and crop the shot above. That is when it hit me. I can actually frame some shots from the net up knowing that the players will eventually jump and smash the ball. So I angled the camera slightly and focused on the action above the net. The wait was just short. In less than 2 minutes, there came another kill and as I was ready, I got the frame I wanted. The photo below was not cropped at all.


phototip: In volleyball, as in any team sport, the players’ eyes and actions will be always be oriented towards the ball, the natural dynamic focal point. If possible, always include the object of play in the frame.
f/5.6, 0.0002s, 220mm, ISO 200, +1/3eV
Tibubeneng Beach, Canggu, Bali, Indonesia


After some more shots, I was ready to give up on the game. I joined my friends near the beach and capped the afternoon with some peanuts. It was still some 30 minutes before sunset. There are still some more photos to take.