Showing posts with label New York. Show all posts
Showing posts with label New York. Show all posts

Saturday, April 11, 2009

Good Friday: the Siete Palabras

a Lenten Special

When I was growing up in the 80s, there was no cable TV at home to keep us company during the Holy Week. The state of solitude pervades most during Good Friday when regular free TV and FM radio would sign off. Being raised in a conservative Catholic household, we would not be allowed to go out either. Not there would be any open destination anyway as there were no malls yet and all commercial establishments would shut their doors during this holy day. The idea of spending the Holy Week outside of home was unheard of either, if not outright taboo.

What was left for us was join in the religious rites- the via crucis, the mass services, confession and the solemn processions. On Good Friday, the day that Jesus died on the cross, there too is the popular series of oratories of the Seven Last Words, or Siete Palabras in our vernacular, which is read in the leadup to 3PM. As kids, we were excused and did not have to go to church – Lent falls on the dead of summer in the Philippines so the heat and humidity can be unbearable – but our parents would have us tune in to the AM radio.

As an homage to the age old tradition of the Seven Last Words, here are photographic depictions of Christ’s crucifixion.

Bantayan Good Friday tableau
Bantayan, Cebu, the Philippines
I. Amahon Ko, pasayloa sila kay wala sila nakahibalo sa ilang gibuhat. Father forgive them, for they know not what they do (Luke 23:34)


San Pedro Cathedral altar
San Pedro Cathedral, Davao City, the Philippines
II. Karon, magauban ka Kanako sa Paraiso. Truly, I say to you, today you will be with me in paradise (Luke 23:43)


Altar with ramilletes
Museo San Pablo, St Paul's Cathedral, Vigan, Ilocos Sur
III. Babaye, ania ang imong anak. Anak, ania ang Imong inahan. Woman, behold your son: behold your mother (John 19:26-27)


Jesucristo (experiment on black#3)
an ebony cross from Tanzania, at home in Lapu-Lapu City, Cebu, the Philippines
IV. Diyos Ko, Diyos Ko, Nganong gibiyaan mo Ako. Eli Eli lama sabachthani? ("My God, My God, why have you forsaken me?", Matthew 27:46 and Mark 15:34)


kisame
the Church of Nuestra Señora del Pilar, Sibonga, Cebu, the Philippines
V. Giuhaw Ako. I thirst (John 19:28)


pagkaluwas
Nuestra Señora de Patrocinio de Maria Church, Boljoon, Cebu, the Philippines
VI. Nahuman na. It is finished (John 19:30)


appreciation
Salvador Dali's Crucifixion at the Metropolitan Museum of Art, uptown Manhattan, New York, the US
VII. Amahan Ko, sa Imong mga kamot, itugyan Ko ang Akong Kalag. Father, into your hands I commit my spirit (Luke 23:46)

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Sunday, February 1, 2009

from the bowels of New York

The SUBWAY.

I knew that I will do a series. The bowels of the city of New York is a fascinating subject for countless of people and count me in. Inside a city insane by itself, the underground can be crazier. But not really. Mostly everyone move inside their own bubble that is truly their own.

guy with a red cap
at a platform in Times Square-42nd St station, midtown Manhattan, New York, the US
Canon EOS 350D Digital, 1/40s, f/5.6, 55mm, ISO 1600


Like most people, I find it difficult to take pictures in the subway as the subject might easily get upset. I know I would- I think. So trying to be unobstrusive is the key. But occasionally an opportunity will present itself, as when a crowd parts way to give you a peek of another passenger involved in her own world. Reading a book is all so common in subways- a ride after all can be as short as 5 minutes or 60.

Angels and Demons
in a train at Times Square, Manhattan, New York, the US
Canon EOS 350D Digital, 1/20s, f/5.6, 54mm, ISO 1600


Manhattan is crawling with cops who would accost you if you used a tripod. I had no choice but to prop my camera on the bench arm at the station. The position was too low for me so I was literally blind in taking this shot. I had to take two preliminary shots to point the camera in the right position. Then I waited for the train to breeze past my sister Lall and Mom.

speed
at the 5th Ave subway station, uptown Manhattan, New York, the US
Canon EOS 350D Digital, 1/2s, f/5.6, 18mm, ISO 200, -1/3EV

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Thursday, December 25, 2008

the Windows of Bergdorf and Goodman- a Manhattan Christmas special

Fifth Avenue cannot be more encapsulated than in the store windows of Bergdorf and Goodman. People actually queue to see its fabulous displays. Decidedly catering to the highend crowd, the store is famous for their life-size displays of magic and opulence.

window display by Lea
Nikon E5700, 1/35s, f/2.8, ISO 64 (photo by my sister)


In the five years I’ve visited Manhattan during Christmas, Bergdorf and Goodman always showcases different themes in every windows. From scenes of the exotic to themes of colors, they are designed to titillate and excite.

Bergdorf & Goodman 2006
Canon EOS 350D Digital, 1/40s, f/5.6, 21mm, ISO 1600, -1/3EV


The suggestion of sex can be overt, as seen in the picture above, or it can be suggested. Playing darkness against the light, the glare of the colors that jar from the ordinary, one time, one window showed a mannequin with a shock of red hair and green manicured nails. Then there was that apple, dangled, as if ready for the taking.

sultry
Canon EOS 350D Digital, 1/200s, f/4.5, 31mm, ISO 800, -1/3EV


Almost always, there will always be a window in red. Evoking the allure of rubies and the drama of scarlets, the visual screams.

ruby
Canon EOS 350D Digital, 1/80s, f/5, 38mm, ISO 400, -1/3EV


Or drama could be in monochrome. Conjuring images of the near black and white, the windows could invite the innate desire of adventure and adventurism.

Bergdorf & Goodman_2006
Canon EOS 350D Digital, 1/50s, f/5.0, 40mm, ISO 800,+1/3EV


Nevertheless, in the world we live of course, wealth can be the real fantasy. But willingly, we suspend this truth, if only for awhile.

fantasyland
Canon EOS 350D Digital, 1/13s, f/5.6, 55mm, ISO 800


Bergdorf and Goodman
754 5th Ave
New York, New York

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Wednesday, December 24, 2008

Eye See Eye in Louis Vuitton- a Manhattan Christmas special

A few luxury brands can match the brand recognition and appeal of Louis Vuitton. You can tell by the number of knocks-off in the streets and the manner ladies automatically eye and analyze whether somebody else’s bags were genuine or not. The LV monogram is the very essence of style.

Louis Vuitton_014-1
Canon EOS 350D Digital, 1/200s, f/4.5, 34mm, ISO 100,+1/3 EV, flash fired


One day in Christmastime of 2006, I went to the Louis Vuitton One East in Fifth Avenue, New York. No, I was not there to shop nor to gawk but to check out Eye See Eye, the art installation of Danish artist Olafur Eliasson.

flash
at the Louis Vuitton One East, 1 East 57th Street (corner Fifth Avenue), New York, the US
Canon EOS 350D Digital, 1/200s, f/4.5, 34mm, ISO 100,+1/3 EV, flash fired


I’ve heard a lot about it. Made to resemble like the pupil of an eye, the glass and light project echoed Eliasson’s knack for participative art and the stage, this time, was the street.

the eye
Canon EOS 350D Digital, 1/10s, f/10, 22mm, ISO 100,-1/3 EV, flash fired


The stainless steel and aluminum spotlight of mirrors and lenses was large at about 230x120x110cm. Its burst of loud yellow sodium light and vibrant purple produced a kaleidoscope of colors which invited and drew passersby like a magnet.

Capturing it in photographs has its challenges. In getting the shots here, I remembered two things. I shot the lamp when it was dark outside. I also used flash to trigger to the violence of color. Here, violence was good.

seeing purple
Canon EOS 350D Digital, 1/15s, f/5.0, 39mm, ISO 200,-1/3 EV, flash fired


n.b. This year, Eliasson was commissioned by The Public Art Fund and New York City to create the New York City waterfalls by the Brooklyn Bridge which ran from June 26 to October 13, 2008.

Louis Vuitton
1 E 57th St (5th Ave), New York, New York

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Monday, December 22, 2008

the Lady wears Red and Green- a Manhattan Christmas special

A true lady of the night.

The Empire State Building stands unwavering in the middle of Manhattan, resplendent in night lights, in all colors imaginable, from classic white to blue to green (St Patrick’s Day). For Christmas, the colors definitely remain resplendent in red and green.

empire
Canon EOS 350D Digital, f/32, 30s, 43 mm, ISO 100


Formerly the tallest building in New York before the World Trade Center rose, it now has reclaimed the title. Everyday, almost without fail, the line of visitors wanting to scale its height snakes long, a testament to its enduring elegance and attraction.

down the Empire State
traffic down the Empire State Building
Canon EOS 350D Digital, 10s, f/14, 18mm, ISO 100


The Empire State Building figures prominently in Hollywood and has appeared in at least 150 movies, from Hollywood classics like An Affair to Remember, to Taxi Driver to Sleepless in Seattle. Its most famous appearance is probably in the King Kong movies, from the one with Fay Wray to Jessica Lange and of late, Naomi Watts. As in lore, the 24 feet ape met his match in beauty and ultimately succumbed atop the majestic tower that is the Empire State Building.

Empire
Canon EOS 350D Digital, f/22, 25s, 24 mm, ISO 100


The skyscraper in Manhattan is still its queen.

Empire State Building
350 5th Ave (34th St), New York, New York

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Sunday, November 23, 2008

Philippine flag tales

Flags come in all forms. From embroidered banners raised in poles to stickers pasted on bumpers to even tattoos emblazoned on skin, they are a declaration of national identity. Flags are standard issues, with specifications of color, size and use or they could be highly stylized and abstracted. Nevertheless, they are recognizable and they stir emotions of pride and nostalgia.

A memorable flag I have posted in my flickr account and which somehow kindled surprising attention in the Filipino flickr community is a photograph of a mosaic of the tricolor. The flag was at the base of the Korean War Memorial for the Universal Soldier at Battery Park. At the base of the monument are mosaics of flags of the countries that participated in the U.N.-sponsored mission which repulsed the North Koreans in 1964 and helped reinstall the 38th parallel. The Philippines was one of them.

This photo was my submission to the Philippines flickr group during its search for new icon in January 2006. It still is its icon to this date. There is little that I did out of the ordinary. I photographed it straight-on, simple and direct. Post-processing saturation did the rest.

Pilipinas
Canon EOS 350D Digital, 1/60s, f/5.6, 55mm, ISO 1600

Another popular picture of mine however was more trickery of the eye. I was photographing sunrise scenes at Geger Beach in Bali, Indonesia, when I stumbled on a traditional boat which was painted in familiar colors. Paint was flaking all over the wall of boat but at an angle, I spotted a verisimilitude of the Philippine flag. A matter of serendipity I say.

mirip
Canon EOS 350D Digital, 1/640s, f/5.6, 55mm, ISO 800, -1/3EV

On second thought, the photo speaks a lot of me.

I am a Filipino but a lot of people have mistaken me for Indonesian in my flickr account, probably because not only do I look Indonesian (yes, we Malays resemble each other) but I speak the language as well. Having been visiting Indonesia for more than 14 years now, I feel at home in the archipelago which is so much like the Philippines in so many respects.

Heck, I even got married in Indonesia but to a Filipina of course. In embracing another world's culture, one keeps coming back to your own.

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Wednesday, November 19, 2008

the romance of Brooklyn Bridge

Brooklyn would not be Brooklyn without its eponymous bridge. Waxed romantic by many a novel, films and of course, photographs, the Brooklyn Bridge dominates the waterfront of Brooklyn, and is a tourist destination by itself. Opened in 1883 when traffic was still partly horse-driven and when bridge aerodynamics were imprecise, the bridge was fortuitously designed six times as strong as what was required. So despite its being one of the oldest suspension bridges in the United States, it survived the perils of most historical landmarks- modernization. To this day, it still is an important link, heavily used for automobile traffic. Obviously, heavier and bigger trailer vans and buses are already prohibited for physical and preservation reasons.

3 bridges
the Brooklyn Bridge towers over the East River, as shot from the South Street Seaport, Manhattan, New York, the US
Canon EOS 350D Digital, 10s, f/5, 18mm, ISO 100, +1EV, w/ a wide angle adapter 0.66x


Crossing the East River from Manhattan to Brooklyn is a timeless and popular ritual. At the center of the bridge is a designated track for pedestrian and bicycle traffic, at a level higher than the car lanes. Although foot traffic nowadays is largely for leisure or exercise, there are extreme circumstances when the bridge became the main transportation route. The extraordinary event of 911 comes to mind, when cars were banned from the streets at lower Manhattan and people had to cross the East River via the bridge.

Such setting was clearly in my mind too when I walked across the Brooklyn Bridge. The date was September 18, a week after the first year anniversary of the World Trade Center attack and my sister accompanied me in visiting the historic bridge. The weather that day was cold, a strong draft regularly gusting about pedestrian ramp. Flags were flying over the bridge towers. Most of lower Manhattan were in a somber mood as security was on high alert.

furled
a flag mounted on one of Brooklyn Bridge's towers. What looked like barbs may just be the clamps holding the vertical and horizontal suspension cables together to form a strong support mesh.


Brooklyn Bridge Manhattan end ny0007
the Manhattan end of the Brooklyn Bridge, near the NY City Hall


My sister worked at a nearby Brooklyn Hospital so we started our journey there. The crossing could be done in less than an hour- the total span of the bridge is just about a mile. We took our time. The view from the bridge is more than exhilarating. New York City continues to define what a metropolis is, and despite the void left from the loss of the twin towers, the skyline of the island of Manhattan still could not be topped.

There are other viewpoints of the Brooklyn Bridge which are splendid for photographic opportunities. I would strongly suggest the promenade at Brooklyn side, especially at night. It is well-developed, safe and convenient, being just a walk away from fabulous restaurants at the elegant Brownstone district. Access is easy. Subway stations at Tillary/Adams Streets are an easy walk. I met up with a chemist-lawyer friend from college one cold December day a couple of years ago and I found out for myself why they say that the view from the banks at old Fulton Street in Brooklyn is a killer, as evidenced by the photo below. One photographic tip: bring a tripod. Long exposure opportunities abound!

Brooklyn
this romantic photo, taken at a landing near the old Fulton Street has been exhibited, crowd-curated and shortlisted in Brooklyn Museum's Click photoexhibit (June 27 to August 10, 2008); published in the coffee book of the same name.
Canon EOS 350D Digital, 10s, f/5, 18mm, ISO 100, +1/3EV


And when at the marina area, do not miss the incredible Brooklyn Ice Cream Factory. I could not have enough of their arctic cold homemade treats even in such a cold wintry evening.

So today, the Brooklyn Bridge still stands regal, while many bridges built around the same time has disappeared into history. While the skyline of Manhattan shape-shifts all the time, the bridge continues to be the unchanging landmark.

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Thursday, May 29, 2008

Sunset Moments

This is an accompaniment of my sunrise moment blog. Sunsets remain the ultimate romantic moments, immortalized in many a movie scene, a storyline and a photograph. They remind us not only of day that just came to pass but also of another new one coming just around the bend.

Zamboanga del Norte, October 17, 2007, 5:28PM

The tidal flats of Jose Dalman in Zamboanga del Norte appear nondescript. But slather the rocky coast and the lonely waters with the colors of the sinking sun and you get affirmation that just about anyplace can be deemed romantic.

Jose Dalman
Canon EOS 350D Digital, 1/30s, f/3.5, 18mm, ISO 200, +1/3EV
Jose Dalman, Zamboanga del Norte, the Philippines


Canggu, Bali, Indonesia, November 11, 2007, 6:26PM

The place is Canggu and the occasion is Banyu Pinaruh. Although this ceremony of ritual bathing is prescribed during sunrise, the beach was still full of people until late in the afternoon as it was Sunday. After six, the sky started to dim and the crowd began to leave for home. The tide was just rushing back to shore and the sealine began to change. The ocean was seeking its own level and the earth can only oblige.

CangguCanon EOS 350D Digital, 5.00s, f/22.0, 24mm, ISO 100, +1.00EV
Tibubeneng Beach, Canggu, Bali, Indonesia


Surabaya, East Java, Indonesia, February 3, 2007, 5:38PM

Surabaya is a historic city in East Java, known as a city of heroes. One of the most celebrated battles in Indonesia’s struggle for independence from the Dutch transpired in this city, specifically in Jembatan merah or the “red bridge”. Smack in the center of the old Chinatown district, the bridge remains busy and became a perfect spot for my panning experiments. I remember standing in the island in the middle of the road, cutting a figure in the busy late afternoon, hoping to catch fleeting scenes like the one below.


kid, waving
Canon EOS 350D Digital, 1/10s, f/5.6, 31mm, ISO 800
Jembatan Merah, Surabaya, Indonesia


Singapore, August 17, 2006, 7:06PM

I normally request for a window seat when I travel. I also check the direction of the plane so that if the flight is late in the afternoon, I’d ask for a seat facing west. It even pays to get a seat at the back of the plane to get a clear window view without the obstruction of the plane’s wing. Getting a clear and clean window pane is another matter. Luck always plays a part.


clouds on fire
Canon EOS 350D Digital, 1/200s, f/5.6, 55mm, ISO 400, -2/3EV
over the South China Sea, near Singapore


New York City, December 23, 2005, 4:42PM

New York City does not just qualify as a metropolis, it defines the word. Skyscrapers soar right vertically into the sky, traffic chokes mercilessly the concrete streets and lights flicker sizzlingly all night, all day. Laid on a grid, Manhattan is segmentized to upperside (northside), lowerside (south), westside and eastside. This makes it much easier to traverse on foot and simpler to orient when trying to capture the sun as it is about to set, need I say at the westside.


Gotham City
Canon EOS 350D Digital, 1/20s, f/20, 55mm, ISO 1600
NY, NY, the US


Kutuh, Bali, Indonesia, August 25, 2007, 6:27PM

Business can be mixed with photographic pleasure. It was late in the afternoon when we arrived in the seaweed farms in Kutuh, Bali. Light was fading fast. The farmers have already left home and the boats were already tethered to shore. Empty cultivations lines confirmed the recent seaweed die-off . Replanting was ongoing. Tomorrow would be another day.


Kutuh gold
Canon EOS 350D Digital, 3.20s, f/25, 55mm, ISO 100, +2/3 EV
Kutuh, Nusa Dua, Bali, Indonesia

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Monday, December 24, 2007

My Christmas nostalgia

Tomorrow is Christmas so there is that irreversible sense of anticipation. On the reverse side, there is an anticlimactic sense that the season for the merriment will soon be over. But I am no party pooper so my brain is all for the excitement that Christmas brings: the conspicuous parties, the visits with family, the over-the-top decorations and the consumption of way too much food.

Christmas will be different to everybody and in my case, celebrations has taken on different meanings over time.

the “ber” months

Filipinos love to celebrate and consider life as a series of one fiesta to the next. Christmas is notoriously celebrated early. Christmas starts when the months already sport a –ber, as in September when Christmas carols will be piped in by some enterprising stores. Even another competitively big holiday like November 1, when people flock to the cemeteries, could hardly make a break to the Christmas spirit.

Christmas is never far away. Flashback to April 2002, which in the Philippines is hot summer (and December is a cold rainy month). I was rummaging in a stall in the public market of Baguio when I saw something surprisingly familiar tucked at a corner: a traditional Christmas star lantern called parol. This was no ordinary lantern of paper, wood or plastic but the famous Pampanga capiz lantern, made of wooden and wire skeleton frame and covered with colored capiz (mother of pearl) shells. More distinguishably, this has built-in tivoli lights that chase and blink in a synchronizing dance. Of course I got a good discount as December was still 9 months away. Packing and getting it on a plane, first to Cebu and eventually to NY, was a pain though. The US Customs inspector eyed it with interest but at least now my sister has an authentic centerpiece in her apartment.

parol
travel tip: Pack fragile items in a light box which shows the handlers what is inside. I wrapped this parol with carton that was thin, almost flimsy, clearly outlining the breakable package, so it was segregated from the heavy bulk of regular cargo.
Canon PowerShot S40, 0.5s, f/2.8, 7.1mm
Astoria, New York, the US


when we create our own parol

There is a subject for boys in Philippine grade school called Practical Arts. In this course, we were taught how to use the saw, the hammer and the paintbrush. Girls, on the other hand, were enrolled in Home Economics where they learn how to stitch, cook and clean house. (Later though in the late 80s, courses were turned coed). One of the few chores that boys and girls had to do together was making the parol. We started with paper and carton lanterns in early and graduated to fancy bamboo stars as you got older. I distinctly remember the trick to tidy up the cellophane covering the wooden frame which is to wipe the plastic lightly with water which tightens it up upon drying. When I saw this wet lantern that got rained on, I got a sense déjà vu.

wet
phototip: Fill the frame with colors- so much like Christmas.
Canon EOS 350D, 0.008s, f/5.6, 43mm, ISO 100, -1/2 EV
Mabolo, Cebu City, Philippines


decorations

We always do our own Christmas decorations at home. One of my most vivid memories was making our own paper snowflakes by cutting patterns on folded paper. My younger brother and I did not even use colored paper, just plain white bond paper which was what we can afford. We tried to fold and store them with the intent of reusing them the next year. We never did actually but the remembrance of fun lingers to this day.

Now grownup, I agree that convenience takes precedence. Depending on your budget, one can go simple or ostentatious. Ornamentation can literally be overwhelming, especially that in most Filipino households, decorations are recycled year in and out so the collections pile up. It still gives me some serious sense of guilt to throw away decorations that have seen better days.

cherub
Canon EOS 350D, 0.006s, f/5.6, 300mm, ISO 1600, +1/3EV
classy antiqued ornamentation at the Balay na Tisa, Carcar City, Cebu, the Philippines


Christmas caroling

Music is a part of Christmas. Before the advent of the internet, there were no available lyric sheets of Christmas carols. I raided the public library – I think I was nine then – but books on Christmas songs were scant. So my siblings and I tried to record the carols played on the FM radio and playback the cassette tapes several times to catch the lyrics of our favorite tunes.

Another experience every Filipino kid is sure to pass is caroling. Singing Christmas carols in the street is a ready fund-raising venture for everyone. My parents were fairly strict and disallowed me and my siblings from joining the neighborhood daygon (the Cebuano term for caroling). It was only when I was an adult that I got to participate in a more “pro” endeavor. Yes, caroling extends to all ages and cuts all social classes.

the lights

There was a time too when Christmas lights were not disposable. We call them series in reference to its electrical configuration. As the wirings were thick and sturdy, they were a tad expensive so busted lights are just replaced the following year and many a street repairmen could earn a nice living fixing “series” during the season. Now, lights come cheap and some 50 series lights can come by for only half a dollar. Repairing them is more expensive than a brand new one. Do be careful though as quality is wanting and they may overheat and cause a nasty fire.

party!
phototip: For fun, there are cheap “neon” ornamentation like these divine blinking necklaces which cost P20 each ($0.50). Throw them inside an empty crystal ice bucket and take some photos at relatively slow exposure speed. The colors and lights will do choreography.
Canon EOS 350D, 2.5s, f/6.3, 49mm, ISO 100
Mandaue City, Cebu, the Philippines


the Christmas tree

In the Philippines, there would hardly be any live tree. The tropics are not known for evergreens and if there were some in the highlands, wouldn’t it be environmentally egregious to cut down what is rare? Anyway, we rely on everything but the real thing. There are mangrove varieties called pagatpat whose overturned roots make up a lovely form. It was popular then to cover it with thick suds of white soap (gladfully, this is passé now). Some preferred trees made of stiff grass (are they still around?) that can come in various heights. Spray-painted or dyed in green, they do resemble the fir tree but the “leaves” were so densely packed that ornaments can only be attached outside and none in the interior. Today, plastic is the norm and as everything else does, they come from China.

When I had my first Christmas outside of the Philippines, I finally had my taste of the first real tree. It was at my sister’s apartment in New York. I even helped choose and lug the real 7 foot balsam fir- a Frasier I think- on my shoulders 2 blocks to her home. Feels different, grand even. It is a living thing, for you have to water it daily (well, actually my brother was assigned that chore and not not me!).

carousel
phototip: Play with curves to convey movement.
Canon EOS 350D, 1s, f/5, 18mm, ISO 100
ornaments in a real Christmas tree, Astoria, Queens, New York, the US

the gifts

So they say that Christmas are for kids and in us, there is always that inner child wanting to come out of our cynical hardened shells. We probably may no longer share that giddy exhilaration of opening what’s inside a Christmas gift but hopefully, we can empathize in the joy of gift giving. Every year, we dig a deep financial hole for ourselves as we overspend for gifts for almost everyone - for our peers, family, friends or fkinugos or godchildren. I rather still like the tradition of opening any gift I receive on Christmas day. I may cheat and take a peek what’s inside but tearing open the packages on the 25th unleashes a primal joy that only that day can deliver.

Maybe this is what I felt in the photo below. There is something universal in the boy's wonderment. Oblivious to the chaotic shoppers around him, he stood transfixed to the speeding toy train. Neither his playful sister nor his parents had an easy time ungluing him from the frolic before him. To his eyes, this was the only world at that very instant. Maybe that is what Christmas joy should be.

awe
phototip: Shooting through a glass is tricky because of glare. Keep your lens as close to the glass as much as possible to keep off stray light.
Canon EOS 350D, 0.25s, f/5.6, 55mm, ISO 400, -1/32EV, uncropped
at the MTA train exhibition at the Grand Central Station, Manhattan, New York, the US

Simbang gabi and the belen

There is one Filipino Christmas tradition that I am too lazy to join as an adult- the Simbang Gabi. It is that early 4AM novena mass leading to Christmas eve. I am sure I was dragged to attend some when I was a kid. Maybe I will resume the tradition when I will have a family of my own, I don’t know. What I am certain is that my younger brother is always quite up to the challenge, probably because he celebrates his birthday when the Simbang Gabi starts on December 16. (In the Philippines, you must hear mass when it is your birthday).

Christmas Day is a holy day of obligation. For Filipinos, Christmas is the biggest religious celebration (not Easter which orthodoxically should be) so religious services are said the whole day as if it were Sunday. And churches would be fully decked too. Featured most prominently would be the Christmas creche which we call the belen. The nativity scene is the centerpiece and as tradition calls, Filipino kids will often line up to kiss the baby Jesus.

visitation
Canon EOS 350D, 0.025s, f/4.5, 25mm, ISO 800
inside the Most Precious Blood Church, Astoria, Queens, New York, the US

the family

Traditions don’t just come and go. They evolve as you make sense of their worth. For five years, I have been celebrating Christmas in New York. My sister lives there and my brother always comes over from wherever he is, then in Texas, now in Seattle. My mom and I would then trek from Cebu to the wintry Big Apple to be together as families always should at this time of the year.

Things have changed. I got married this year and since she’s expecting, we cannot travel. Nonetheless, I still cherish the bond that ties us together. As platitudes go, Christmas resides in the heart and we still have many Christmases to share together in the future.

Teuscher
Photo tip: Incorporate reflections on the glass in the picture.
Canon EOS 350D, 0.017s, f/5.6, 55mm, ISO 1600, -1/2EV
window display at Teuscher Chocolates, 25 E 61st St, New York, the US

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