Showing posts with label Vigan. Show all posts
Showing posts with label Vigan. Show all posts

Saturday, April 11, 2009

Good Friday: the Siete Palabras

a Lenten Special

When I was growing up in the 80s, there was no cable TV at home to keep us company during the Holy Week. The state of solitude pervades most during Good Friday when regular free TV and FM radio would sign off. Being raised in a conservative Catholic household, we would not be allowed to go out either. Not there would be any open destination anyway as there were no malls yet and all commercial establishments would shut their doors during this holy day. The idea of spending the Holy Week outside of home was unheard of either, if not outright taboo.

What was left for us was join in the religious rites- the via crucis, the mass services, confession and the solemn processions. On Good Friday, the day that Jesus died on the cross, there too is the popular series of oratories of the Seven Last Words, or Siete Palabras in our vernacular, which is read in the leadup to 3PM. As kids, we were excused and did not have to go to church – Lent falls on the dead of summer in the Philippines so the heat and humidity can be unbearable – but our parents would have us tune in to the AM radio.

As an homage to the age old tradition of the Seven Last Words, here are photographic depictions of Christ’s crucifixion.

Bantayan Good Friday tableau
Bantayan, Cebu, the Philippines
I. Amahon Ko, pasayloa sila kay wala sila nakahibalo sa ilang gibuhat. Father forgive them, for they know not what they do (Luke 23:34)


San Pedro Cathedral altar
San Pedro Cathedral, Davao City, the Philippines
II. Karon, magauban ka Kanako sa Paraiso. Truly, I say to you, today you will be with me in paradise (Luke 23:43)


Altar with ramilletes
Museo San Pablo, St Paul's Cathedral, Vigan, Ilocos Sur
III. Babaye, ania ang imong anak. Anak, ania ang Imong inahan. Woman, behold your son: behold your mother (John 19:26-27)


Jesucristo (experiment on black#3)
an ebony cross from Tanzania, at home in Lapu-Lapu City, Cebu, the Philippines
IV. Diyos Ko, Diyos Ko, Nganong gibiyaan mo Ako. Eli Eli lama sabachthani? ("My God, My God, why have you forsaken me?", Matthew 27:46 and Mark 15:34)


kisame
the Church of Nuestra Señora del Pilar, Sibonga, Cebu, the Philippines
V. Giuhaw Ako. I thirst (John 19:28)


pagkaluwas
Nuestra Señora de Patrocinio de Maria Church, Boljoon, Cebu, the Philippines
VI. Nahuman na. It is finished (John 19:30)


appreciation
Salvador Dali's Crucifixion at the Metropolitan Museum of Art, uptown Manhattan, New York, the US
VII. Amahan Ko, sa Imong mga kamot, itugyan Ko ang Akong Kalag. Father, into your hands I commit my spirit (Luke 23:46)

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Saturday, January 24, 2009

the Burnayan of Vigan

Outside of Luzon especially in the Visayas, mentioning the word Vigan makes people think of a lot of things- the longganisa, the living movie set that is Calle Crisologo, the brick tiles and not least of all, the burnay or the large earthenware jar Vigan jar. Think of vessels valued customarily used for bagoong (fish sauce) and sugarcane wine.

banga
antique burnays on display at Crisologo Museum (photo by my wife)


In one visit to Vigan, Ilocos Sur in 2005, we saw how the Vigan jar is made in Barangay VII more popularly known as Pagburnayan. Up to this date, this southwesternmost part of the poblacion is where all the burnay camarin (cottage factories) are located. Unsurprisingly, the manufacture of burnay essentially remains faithful to the technique introduced some five hundred years ago by Chinese artisans. The primary material is the rich red Ilocos clay. When fashioned by hand on a potter’s wheel, mixed with find sand (“anay") as tempering material and baked at a high temperature in a huge brick-and-clay ground kiln, burnay is known to be stronger than ordinary terra cotta.

burnayan
a craftsman at a burnayan in Vigan City, Ilocos Sur


Its commercial ascendance actually came in the late 1800s when burnay technology was revived in Vigan by a new wave of Chinese immigrants. Its main proponent was a direct descendant of Fidel Go, owner of the Ruby Pottery and sometime nominee in the Gawad Manlilikha ng Bayan (National Folk Artist Award) of the National Commission on Culture and the Arts for artistry in the craft.

At present, burnay is used for decorative functions, coming in new shapes, sizes and designs from the plant pots and fanciful ashtrays. To most of us though, burnay still means oversized jars. Some images are difficult to shake off.

Burnayan, Vigan, Ilocos Sur
traditional large burnay for sale at Vigan

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