Showing posts with label Klungkung. Show all posts
Showing posts with label Klungkung. Show all posts

Thursday, May 21, 2009

the Cacing Diaries #38

going spicy and fishy in Klungkung, Bali

Cacing is slowly getting attuned to spice. It’s an unavoidable indoctrination given that my wife are way above mere tolerant of the heat of pepper. For sure, Cacing still can’t take hot dishes but she sure likes playing with them for now.

Dia fixing Cacing's hair
Dia fixing Cacing’s hair


Cacing in full smile
Cacing in full radiant mode


Cacing playing with her spoon
Cacing playing with her spoon


The scene of the crime here was the unassuming eatery in Klungkung called Warung Merta Sari. It was the week before Holy Week so we were looking for a place that offers seafood (we abstained from eating meat during this time).

Warung Merta Sari
the plain façade of Warung Merta Sari


It was my second time to dine here and for lovers of spice and fish this is a place of note. The restaurant seems to be always teeming with eager Balinese looking for a warm and spicy meal. And always, it is the locals who know best.

Warung Merta Sari- spicy string beans
a side dish of spicy string beans


Warung Merta Sari- sate lilit ikan
sate lilit ikan or minced fish satay


Warung Merta Sari- peanuts as appetizers
peanuts as appetizers


Warung Merta Sari- rujak
rujak, a traditional fresh salad in sweetened vinegar (note the chilis!)


The specialty is sate lilit ikan or minced fish satay which comes with a bitingly spicy fish soup. The sate is prepared and grilled the traditional way over live charcoal fire. Aside from the complimentary peanuts and a few side orders like rujak or vegetables in season, there is little else on the menu. As they say, nothing can compete with the classic.

cooking the sate over hot coals
cooking the sate over hot coals


Warung Merta Sari- the grill
the grill line


Cacing and the rest of us all agree.

To go: Warung Merta Sari is in the village of Pesinggahan, Klungkung, after the new Bypass IB Mantra. It is located before the temple of Goa Lawah.

Balinese feast
the warung is a favorite among Balinese especially those who pay homage to the Temple of Goa Lawah


rooster for sabung
an aside: across the eatery are these cages of fighting cocks which Cacing took a liking

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Friday, November 23, 2007

Photographing Through Crowds (the Bali Saraswati Celebration)

It was my fortune that my last visit in Bali coincided with the Saraswati celebration. However, capturing ceremonies in Hindu Bali is not that easy. Temples would be far too packed to get photographic elbow room. While temples are generally open to the public – the Balinese are fairly tolerant and accommodating people – I always get stymied by fear of intruding too much in their religious observances.

I will describe here several tips in capturing Balinese ceremonies, specifically in making the crowds work for you photographically.

The challenge
To give you an idea of the difficulty, here is one picture at the Temple of Tangkas Puri Agung in Klungkung which happened to be celebrating its temple anniversary that day. The jostling crowd can be seen charging out of the first inner courtyard of the temple after a blessing. As temple courtyards can typically accommodate only a hundred people at a time, blessing rites have to be repeated all throughout the day, from morning and even into the night, to accommodate the thousands who would pay homage.

Pura Tangkas Puri Agung
phototip: Be unobstrusive and wear Balinese attire. As ceremonies are repeated in cycles, staying over for the next rite allows you to choose which spot gives you the better vantage point.
f/4.5, 0.002s, 18mm, ISO 200, +1/3EV
Pura Tangkas Puri Agung, Klungkung, Bali, Indonesia


1. Distill the essence of the celebration
Now, back to the ceremony. Saraswati, in Hindu Bali, is the goddess of learning. During this holy day, the Balinese, most particularly the youth, would pray for scholastic success in temples all throughout the island. As in most rituals in Balinese temples, people come in the inner courtyard with offerings of food, flowers and incense. Praying is done by squatting position on the ground while sacred scriptures would be read over the mike and several times over, the worshippers would bow to the ground in unison. Finally, they would receive cooked rice and holy water from priests of the brahmana caste. The cooked rice would be partly eaten while some rice kernels would be pasted over their forehead. The water would be also be drank and sprayed over their heads, as shown below.

Goa Lawah_0055-1
phototip: Capture the essence of the ceremony. Saraswati is for and by the youth, as shown in this picture.
f/4.6, 0.008s, 49mm, ISO 100, +1/3EV
Goa Lawah Temple, Klungkung, Bali, Indonesia


We visited a total of 3 temples that morning- the Pura Tangkas Puri Agung, the Pura Goa Lawah Temple (the famous bat cave temple) and the Pura Bukit Buluh, which has a tall 11-tier pagoda perched on a hill. However, the youthful celebration of the Saraswati offerings is best depicted in a series of pics I took at the village hall of Kusumba, Klungkung.

Apparently the blessing ceremony in the village of Kusumba was scheduled after lunch and in the morning, as entertainment prelude, classical dances were performed by local children. As families actually pay for their children to learn Balinese dance, the Saraswati was a special recital occasion.

2. Isolate a subject
Knowing that the Balinese are the more discerning critics and not the paying tourists (and there were none in the hall I visited), the dancers of various ages were obviously edgy and were practicing movements while performances were ongoing in the center stage. Find someone who stands out. Think of someone pretty. Someone in a gorgeous costume. A child. It might not be easy as the people around the subject often would block your view. Yet soon enough, the crowd will part. For the picture below, I followed a pretty girl in a fabulous headdress for sometime until finally, she looked at me.

Kusumba
phototip: Portraits, particularly the candid ones, are stronger if the subject looks back at you, straight into the lens.
f/5.6, 0.004s, 140mm, ISO 400
Kusumba Village, Klungkung, Bali, Indonesia


3. Tell a story
Cultural performances are visually attractive by themselves but watch out for crowd action that is organized, as opposed to random. In this photo, a masked topeng dancer was obviously trying to entertain a young boy. The spectators, young and old, sitting or standing, are all looking at the boy, in anticipation of his reaction. Although the boy was partly blocked from my view, there is a cohesive story unfolding in the drama. All eyes definitely were on the boy, as eventually yours would too.

bercanda
phototip: Watch out for scenes when eyes, gestures and movements are oriented towards one focal subject.
f/5.6, 0.006s, 222mm, ISO 200
Kusumba Village, Klungkung, Bali, Indonesia


4. Look behind the scenes
Interesting actions are not just limited in the stage. What is happening behind the scenes can be as fascinating as the dance performances. Getting backstage is easy in a Balinese village hall, which is just a quadrangle pavilion that is open in all sides. Besides, the Balinese don’t mind the occasional stranger like me.

belakang
phototip: Watch out for colors. I shot this knowing that the contrasts of the girls’ dress against the colorful brocade would be stark.
f/5, 0.005s, 75mm, ISO 200, +2/3EV
Kusumba Village, Klungkung, Indonesia


5. Use the crowd as frame
Candid moments are happening everywhere so be quick. Once I saw that there were young dancers sitting in a corner waiting for their turn to dance, I recognized that their idle gossip was a photo op. The problem was that the girls were moving all the time. So I waited. When the girl in the right suddenly bent slightly and gracefully, I was ready. Sometimes you have to create your luck.

rumpi
phototip: Use the crowd as frame for glimpses of intimate moments.
f/5.0, 0.008s, 150mm, ISO 800, +2/3EV
Kusumba Village, Klungkung, Bali, Indonesia

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